Get a first look at the incredible art coming to Black Rock City this year! Desert Arts Preview is your chance to step behind the scenes and meet the artists, hear their stories, tour their studios, and explore the creative visions coming to life.
This year, catch the magic on your own time. We’re evolving from a live webinar event to releasing a special feature in mid-June that you can watch anytime, anywhere. Plus look for some bite-sized highlights on our social media channels, building excitement for the art of Burning Man all summer long.
Take an early peek at the art coming to the playa through artist-submitted footage, chats with the Director of Art, Katie Hazard, and a special preview of even more inspiring projects. Learn how you can get involved and support these and other artists in creating interactive, collaborative, community-built artworks.
And check out all the art coming to BRC this year!
Desert Arts Preview Archive
Desert Arts Preview 2024: Embrace Your Curiosity
Spark your curiosity for Black Rock City and the art that defines the landscape because Desert Arts Preview is on the horizon! As you anticipate Burning Man 2024, hear stories from artists who are creating a fantastical new assortment of spectacular, wild, and whimsical art installations. Burning Man Arts is thrilled to invite you to the beloved and exciting event Desert Arts Preview on Sunday, June 2 at 1pm PDT, hosted by the Director of Art, Katie Hazard. Step behind the scenes to meet the featured artists, enjoy virtual studio tours, and gain insights into their ambitions and inspirations for their works in progress.
Come learn how you can get involved and support these and other artists to create interactive, collaborative, and community-built artworks for the Burning Man event. Tune in from anywhere for this virtual celebration, and meet the presenting artists who will be joining us from around the globe. You can also host a watch party to enjoy the program with friends and family.
After the main program, you are invited to join breakout rooms with artists featured in the main program as well as additional 2024 BRC artists to learn about even more about the artworks, ask questions, and mingle with artists and other participants.
Tree Circle – Eira Mooney and Fabio (Alquem) Garcés
Desert Arts Preview 2023: An Invitation to Get Inspired
Desert Arts Preview is Burning Man Project’s beloved annual event celebrating art installations that are coming to Black Rock City this year.
Jumpstart your excitement for Black Rock City and the art that defines the landscape because Desert Arts Preview is back! As you anticipate the return to playa, get inspired by a fantastic collection of spectacular, wild, and whimsical art installations. Step behind the scenes and join our featured artists for virtual tours of their studios and creative process, and gain insights into their inspirations and hopes for their works in progress.
Check out this slideshow of the hundreds of art projects coming to BRC this year. Learn how you can fully immerse yourself in previewing many of the art projects in BRCvr for the next several months.
Hosted by Katie Hazard, Associate Director of Art Management
Desert Arts Preview 2022: An Invitation to the Amazing
Dust off your sense of wonder because Desert Arts Preview 2022 is ready to view!
The return to Black Rock City heralds the return of art, and a fantastic new collection of spectacular, wild, and whimsical art installations. Burning Man Arts is thrilled to share our beloved and exciting event Desert Arts Preview. Step behind the scenes and join our featured artists for virtual tours of their studios and creative process, and gain insights into their inspirations and hopes for their works in progress.
Hosted by Katie Hazard, Associate Director of Art Management
ArtSpeaks Episode X: Desert Arts Preview Edition! It’s never too early to start planning for Burning Man right? This is especially true for the artists who bring their larger-than-life artworks to Black Rock City. In this special 10th episode of ArtSpeaks, we’ll be celebrating several of these artists, Desert Arts Preview style! We’ll hear from Honoraria artists who are planning on bringing their projects to Black Rock City the next time we can gather together safely. Get a sneak peek at Jason Gronlund’s mysterious masks, Abram Santa Cruz’s interactive light portal, Ashley Stracke’s PeepShow, Michael Christian’s newest creation, the latest news from the Temple, and more. After the program, you’re invited to join us in our very own virtual Desert Arts Preview “lobby” where you can learn more about Burning Man artwork, chat with the artists themselves, and explore a whimsical world with surprises around every corner.
Desert Arts Preview 2019
Desert Arts Preview is a beloved and exciting evening where artists will share the projects they plan to bring to the Burning Man event in 2019. Presenters will share their inspiration and hopes for these works in progress, giving the audience an exclusive window into their imagination and creative process.
This is also the perfect opportunity to learn how you can get involved and support these and other artists at the Burning Man event and year-round, as we increasingly seek to create interactive, collaborative and community-generating works of art in cities around the world. Come and learn how to get involved and help make the art you wish to see in the world.
Doors will open at 6:00 PM. Presentations being promptly at 7:00 PM. All seating is general admission, first-come, first-served. Due to venue restrictions we will not be able to serve food at the event, please eat early and plan to enjoy a full evening of presentations!
Featured Artists:
Cone Down – Josh Zubkoff and Looking Up Arts Foundation
Desert Arts Preview is a beloved and exciting evening where artists will share the projects they plan to bring to the Burning Man event in 2018. Presenters will share their inspiration and hopes for these works in progress, giving the audience an exclusive window into their imagination and creative process.
An inspiring group of 30 art projects will be represented and celebrated through short presentations and in the Art Gallery: from a 32’ tall polar bear made out of recycled car hoods, to a great train wreck, plus an exciting range of robots, trees, giant flowers, UFOs, and a wide collection of the amazing and interactive art that delights us every year in Black Rock City. A beautiful and informative Art Gallery will be installed in theater, featuring stunning imagery and engaging information for each project. And we’re thrilled that Arthur Mamou-Mani, the lead artist of Galaxia, this year’s Temple, will be there in person to share insights and progress from his international team.
This is also the perfect opportunity to learn how you can get involved and support these and other artists at the Burning Man event and year-round, as we increasingly seek to create interactive, collaborative and community-generating works of art in cities around the world. Come and learn how to get involved and help make the art you wish to see in the world.
Tree of Life –Tyler Rivenbark, Frida Ticehurst & Institute for Human Creativity
Desert Arts Preview has been a beloved tradition since it started in 2000 – starting as an in-person event in San Francisco, and moving to a virtual event that is viewed and shared by Burners and art lovers around the world.
Burning Man Project’s Radical Inclusion, Diversity, and Equity (R.I.D.E.) Stewardship Group is a cross-departmental team of key Burning Man Project leadership who hold pivotal roles across the entire Burning Man network, have interest and experience in R.I.D.E. work. The Stewardship Group is responsible for prioritizing, managing, and advocating for the R.I.D.E. work across Burning Man Project staff, Black Rock City, and Burner communities in the US and internationally. The group is comprised of:
We’ve assembled an advisory committee of community leaders with expertise on racial justice to review and advise the R.I.D.E. Stewardship group on the content, processes, and systems Burning Man Project designs to help increase diversity, equity and radical inclusion in both Burning Man Project and Black Rock City. This committee acts as a checks and balance system for unconscious bias and demonstrates our intention for radical accountability.
Advisory Committee Members
Elida Margarita Bautista Élida Bautista, PhD is the Director of Inclusion and Diversity at UC Berkeley’s Haas School of Business. She sets school-wide strategy for diversity and equity-related programs focused on students, and works to create a more inclusive school climate. Bautista earned her PhD in Clinical Psychology at the University of Michigan. Before beginning at UC Berkeley, Bautista spent 15 years developing social justice and diversity training programs at UCSF’s Department of Psychiatry. A bilingual Chicana born and raised in Chicago, Bautista moved to Ventura County when she was 13. Themes of identity politics and what people have in common across cultures have always interested her. She first visited Black Rock City in 2002 and camps with Campo Santo.
Erin Douglas Erin is an experienced travel, culture, and lifestyle documentary photographer, creative culture consultant, and founder of Black Burner Project — a multicultural movement driving diversity and inclusivity at Burning Man through photography and personal stories. Her mission is to tell authentic stories with a huge emphasis on inclusive stories, that bring joy, and encourage people to action.
Jayson Jackson Jayson Jackson is a producer of Tony Award®-winning theater, Emmy Award-winning film, Grammy Award-winning music, and a veteran Burner. He is a charter member of the Kennedy Centers Hip Hop Council and Chairman of the NARAS Grammy Committee for Music Video and Music Film. Jayson is a Harlem New York native and a devoted Knicks & Yankee fan.
Kamillah Knight, MPA Kamillah Knight is the Global Director of Diversity and Inclusion for Danaher Corporation’s Water Quality platform. She also is the co-founder of Éclat Culture LLC which focuses on coaching and consulting individuals and organizations on learning and development practices in addition to building cultural competency, rooted in diversity and inclusion.She has a passion and purpose to be a change super-hero, changing the way that people interact with their environment and with other people. Kamillah carries this purpose out through community activism, education, and engagement, looking to instigate sustainable change.
Kim Cook Kim Cook creates: Impact. Stories. Community projects. Places. Experiences. Spectacle. She successfully builds urban, regional, national, and international projects that increase mutual understanding, advance civic well being, elevate cultural engagement, and further the aesthetic design elements of communities. And sometimes she does things for the adventure, the learning, the discovery, the fun. As Burning Man’s Director, Creative Initiatives, Kim works in the frontier of exploration for projects and collaborations that extend Burning Man culture into the world. Most recently she facilitated the team for “virtual Burning Man 2020” with 10 technology platform partners offering a range of digital, dynamic, and interactive approaches to the “Multiverse”.
Marlon Williams Marlon Williams is a public servant and organizer skilled in leading the transformation of public institutions to center equity and create a more just world. He serves as an advisor on organizational and systems change initiatives that readily require the coordination of multiple stakeholders and perspectives to address and undo systemic racism. When cities and institutions want to work towards operationalizing racial equity in their policies, programs, and practices, he is who they call.
Neil Takemoto Neil has been committed to self-organizing ecosystems for co-creating communities for three decades. As the founder of CSPM Group, he developed a program known as crowdsourced placemaking, giving a voice to local communities in their neighborhood’s revitalization. Neil is a four-time burner, a fan of Stealing Fire and car-free cities. and currently developing a cooperative of transformative change agents dedicated to building place-based ‘catalyst hubs’ of mutuality.
Nicholas Powers Nicholas Powers is a professor, novelist, reporter, and poet. His books “The Ground Below Zero: 9/11 to Burning Man, New Orleans to Darfur, Haiti to Occupy Wall Street” and the vampire novel “Thirst” were published by Upset Press. Currently, he is writing a book on race and psychedelics for North Atlantic Books.
Prince Barron Prince Barron has been an Executive Assistant for 15 years, where he is a strategic business partner to all he supports. Prince is the Camp Daddy at the Burning Man camp Yummy RUMInations and has attended Burning Man twelve times. In June 2020, Prince launched The Queer View, which brings the Oakland community a drive-in experience twice a month. He was married to his beautiful husband in the art piece they helped build & fund, The Shrine of Sympathetic Resonance at Burning Man 2019. His purpose in life is to Surprise & Delight and build a strong, loyal, and loving community.
Rachel McCrafty
Rachel “Crafty” Sadd, is an artist and organizer as well as the Executive Director of Ace Makerspace in Oakland, CA, working on equity in maker culture and medium scale PPE projects for under-resourced communities.
Shirley Strong Shirley Strong is a compassionate social justice educator committed to greater equity and inclusion in higher education and beyond. She has spearheaded initiatives in the field of education, philanthropy, and social action. Most recently, Shirley served as the Chief Diversity Officer at Samuel Merritt University (SMU). Prior to Samuel Merritt, Shirley served as Dean of Students and Director of Diversity at the California Institute of Integral Studies (CIIS). Before her more recent work in higher education, Shirley was with the Levi Strauss Foundation directing social justice initiatives that were effective in developing and supporting multiracial coalitions to dismantle discrimination and improve race relations in various employee communities in the United States. In her role as an innovator and leader, Shirley co-founded and chaired the Northern California Chapter of the National Association for Diversity Officers in Higher Education (NADOHE) and served on the national advisory committee of the National Conference of Race and Ethnicity in Higher Education (NCORE). Additionally, she is an advisor to the Structural Competency Working Group (SCWG) which conducts trainings on structural racism in healthcare in order to help develop a language and a set of interventions to reduce health disparities leading to improved health outcomes for vulnerable populations. Shirley uses the concept of building a Beloved Community as a touchstone for her life and work. She defines Beloved Community as an inclusive, interconnected world view grounded in love and justice, leading to individual and social transformation.
At our collective best, Burning Man is a multicultural, open, inviting, and inclusive community. By bringing an anti-racist and anti-discriminatory lens into our strategies and work, we are strengthening these values, and helping to build the future we want to live in. We are inspired by the vision of the Beloved Community, in which all people can share in the wealth of the earth. We are building new pathways to make sure more people have the opportunity to participate in this community and are able to see themselves in Burning Man. We are working to expand the participation of BIPOC communities, and to foster diversity in our policies, programs, and processes within our organization and our events.
The goals and actions in this multi-year pledge are universal. They apply to Burning Man Project’s year-round work and global community, including our annual event in Black Rock City. We commit to evaluating our work against this pledge, to identify ways we can take an anti-racist stance in the world, and to expand our efforts to other marginalized communities and groups. We hope you are inspired to take action in your communities too.
R.I.D.E. Year One Update
More than a year after we asked the global Burning Man community, “What would it look like for Black Rock City and all of our global communities to be more radically inclusive and diverse?” so much has happened — members of the community have stepped up to build art pieces, create theme camps, write stories and produce videos, and perhaps most importantly, share the best of our culture and bring new faces into the fold in Black Rock City 2022.
Read our Year One Update, and let’s keep going! Thank you for everything you have done and continue to do.
Statement on Racial Justice and Radical Inclusion (May 2020)
Let’s make the global Burning Man community, including Black Rock City, more inclusive for Black, Indigenous, and all People of Color. Let’s amplify voices and ideas that will lead us to a more equitable society. Let’s create the space to listen and have the conversations needed to make permanent positive change in this world.
Burners have always been doers, so let’s do this.
Black Lives Matter.
Statement in Support of Asian Americans and Pacific Islanders (April 2021)
Let’s join forces with anti-racist organizations to share resources, educate each other, amplify the voices of those affected, build and strengthen relationships, and create change in this world.
If you would like to get involved in the work Burning Man Project is doing to make all Burning Man spaces more radically inclusive, please email diversity@burningman.org
An Update on Diversity & Radical Inclusion (August 2020)
As an organization that believes the world’s a better place with Burning Man in it, and one that’s committed to spreading the culture that comes from Black Rock City throughout the world, we have a long way to go when it comes to race and diversity. As a culture that preaches the virtues of diversity, equality, and Radical Inclusion, the fact remains that our community and spaces are predominantly white. The barrier to entry for Burning Man experiences is often dictated by privilege, and we’re committed to changing this.
Two months ago, Burning Man Project shared a statement in solidarity with those fighting for racial justice, in support of the Black Lives Matter movement, and in recognition of the fact that, as an organization, we can do better to truly live up to the principle of Radical Inclusion.
Despite many conversations and community-led initiatives over the years, that was our first public-facing statement of explicit support for racial justice. While this was an important moment for us and we received some positive feedback, we also know that words are not enough. We understand the time for action is now, and we are ready to move forward with concrete steps.
So what are we actually doing?
Last October, we held our first Diversity & Radical Inclusion Town Hall of many. We were thrilled to see over 500 people join the call, and 33 Burners shared their experiences as Black, Indigenous or a Person of Color (BIPOC) in Black Rock City.
We’ve started an advisory group of community leaders who have vast experience focusing on this work. With their guidance, we’re roadmapping more ways Burning Man Project and Black Rock City can actively practice anti-racism, work towards better representation of people of color in Burning Man spaces, and more.
Created an internal stewardship workgroup of knowledgeable anti-racism and racial justice staff advocates within the organization to advise leadership and support the success of this work.
Implemented unconscious bias and anti-racism training for staff, starting with our year-round employees and soon after rolling out to volunteer leaders and Burning Man Project volunteers.
Holding bi-weekly internal staff discussions on race, identity, systemic racism, social justice, and other related topics.
Encouraging our staff to engage in developing collaborations with organizations that are established as social justice leaders.
Gathering data around the self-identified racial and ethnic representation that exists now within our paid staff. We’re also assessing diversity specifically within our leadership teams. Better understanding our current representation helps us work on steps like evaluating our hiring practices and leadership pathways to make sure we build a staff that represents the event and community we want to see.
Actively elevating voices of color on our communications channels (Burning Man Journal, Burning Man Live podcast, and more) and social media pages. We’re making a conscious effort to bring all Black, Indigenous, and People of Color (BIPOC) voices and storytellers to the forefront.
Increasing BIPOC event access by making changes to our theme camp, artist, and mutant vehicle selection processes.
Building a section of the Burning Man website dedicated to efforts from Burning Man Project and the wider community on this and related topics.
Also, here are some of our ambitions over the next year:
Support efforts to increase participation of BIPOC in Black Rock City through proactive community-oriented outreach and organizing resources for theme camps, art projects, volunteer teams, and mutant vehicles that are committed to Radical Inclusion and racial equity.
Review our program areas outside of Black Rock City through a lens of racial justice and determine how we can use our funding streams to amplify engagement of Black, Indigenous, and other artists, innovators, and community builders of color.
Facilitate ongoing regularly scheduled community-wide conversations about racial justice, identity, systemic racism, restorative justice, and more.
Learn and incorporate equity checks in our policies and decision-making to consider their impacts on different racial and ethnic groups.
This is just the beginning of a comprehensive roadmap currently in development. We acknowledge that some of these first steps will be internal and may not be obvious to the world outside Burning Man Project. We are embracing this moment as an opportunity to step up as both an organization and a global, diverse culture. We look forward to the future, and we hope you are along for the ride.
You will be introduced to the concept of anti-racism through an examination of the history of systemic and structural racism, and through an exploration of the concepts of intersectionality and microaggressions.
Learn how to separate intent from impact, regarding microaggressions. This course will also connect various topics to some of the Ten Principles, so we may also understand how this work is directly related to and informed by our community values.
Explore the impact of representation relative to inclusion, bias, and racism. We will unpack how representation plays out in context to Burning Man from the media through individual feeds and how clusters manifest on social media platforms.
A comprehensive opportunity to explore the intersection of “default world” fragility based on privilege and how it plays out in the desert. And better yet how we can become more resilient.
Learn what cultural humility is and how it applies to Burning Man and the experience as Burners move between camps, art cars, and art together on the playa. Hone skills and begin to develop a vocabulary of cultural awareness that avoids appropriation and characterization of cultures not your own.
Ways to get involved: YOU can participate in ongoing conversation and knowledge-sharing.
Want to volunteer to help further Burning Man Projects’s R.I.D.E. work? Please fill out this form and help us learn a little about your interests and skills. We’re always looking for more Burners to support this important work.
The Census is a collaborative research project that started in 2002. Although the Black Rock City (BRC) Census project is technically a survey and not a literal census (where data is collected from every member of a population), our methodology allows us to report on the entire population of Black Rock City (BRC), not just on the individuals who participate actively in our data collection efforts. The results in this report are the most reliable estimates we have of the Black Rock City population.
As of October 2020, Burning Man Project had 140 active employees. 64 identify as male and 73 identify as female. 111 (79%) of active employees White; 3 (2%) are Black or African American; 9 (6%) are Hispanic or Latino; 5 (4%) are Asian; and 6 (4%) are two or more races, and 6 (4%) declined to state.
NOTE: (*) Just two genders, male and female, are able to be selected from in our HRI system and in alignment with EEO instruction. We recognize that many of our staff identifies much more richly than either/or. (**) We recognize that this word is a troubled social construct and “ethnicity” may be better served for this analysis.
This long-form series is designed to spark conversation about diversity, Radical Inclusion, and differences in the global Burning Man community. Topics include: where the lines are for cultural appropriation of art, music, and fashion, is “Why aren’t there more people of color at Burning Man?” the question we should be asking, how far the 10 Principles stretch beyond the playa, and what being a year-round, worldwide culture means for the inclusiveness and diversity of Burning Man.
In October of 2019, author Yodassa Williams hosted a four-day writing retreat for BIPOC women and non-binary writers at Fly Ranch. Over the course of four days, 34 writers gathered to connect with the land and participate in creative workshops. Read about their experiences and watch video interviews here.
Big Pine Paiute Tribe’s Permaculture Action Day on the Road to Burning Man (2017): The Big Pine Paiute Tribe, Burners Without Borders, Permaculture Action Network, and the Indigenous Farming Project held a Permaculture Action Day at the Big Pine Paiute Tribal Garden to build a large greenhouse for winter growing and digging rainwater catchment earthworks & swales to catch and store rainwater in the soil. The garden is a publicly-accessible demonstration project that features permaculture design, perennial & annual plant cultivation, and plants native to the Eastern Sierras.
Amplify Your Voice: Submit a Story
We want to amplify voices from our diverse global community and share your stories! Tell us how you are staying connected during quarantine or engaging in the fight for racial justice.
SUBMIT YOUR STORY HERE
to be considered for publication on a variety of Burning Man platforms.
On October 5, 2020, Black Rock City’s Leadership came together to listen to Burners who identify as Black, Indigenous, and People of Color (BIPOC) about their experiences in Black Rock City — the good, the bad, and everything in between.
BMIR 2020 Burn Week Series. Inspired by the BLM movement, yet not contained by it, BMIR curated 72 hours of programming over Labor Day weekend which focused on the pressing issues at hand in our world. From Black Lives Matter to LGBTQ civil liberties to the plight (and future) of the Indigenous peoples of this land, BMIR utilized its trusted medium to give a voice to those that need to be amplified at this paramount intersection of space and time.
The Intersection is a podcast produced by KALW and its third season airing in 2020 focuses on Burning Man. Two episodes cover topics related to diversity in Black Rock City including Episode 9, “Black Lives Matter meets Black Rock City,” and Episode 8, “PRESENT meets PAST.”
Black Burner Project is a multicultural movement driving inclusivity at Burning Man, travel, self exploration and radical expression through imagery and personal stories established by Erin Douglas.
Project Radical Inclusion is dedicated to radically including more cultural diversity at Black Rock City. It was established as a camp-driven program in 2015 at Camp Que Viva by the late Laura Diamond who was dedicated to seeing more socioeconomic diversity at Burning Man.
Got questions?
Have something you’d like to see reflected on our Diversity, Equity, and Inclusion pages? Email diversity@burningman.org
Cover image of “Paradisium” by Dave Keane & Folly Builders and “Smile High Club” mutant vehicle by Greg Keegstra (International Terminal G), 2022 (Photo by Jamen Percy)